Followers

Monday, December 13, 2010

Act II Scene 1/ Hidden Treasure

ACT II
SCENE I

Hidden Treasure


(Scene takes place in apple orchard. Jonah and Rueben are emptying their

apple picking bags into wooden crates. Eli is continuing to pick apples to

fill his bag. Rueben and Jonah go back to picking apples. Rueben's hat is

hanging from a chin strap around his neck. He puts his hat on his head

and hat music plays. After he puts it on, he turns and faces the audience

slowly with a dazed look as he begins to experience Jonah’s thoughts and

feelings since Jonah wore it the night before. They are joined by Caleb,

Farmer Fred's son, who enters from offstage and calls out his first line

from a distance. As he approaches the workers and calls out, volume of

hat music is faded out.)

CALEB

Hey, Don't bruise those apples!

ELI

Oh, mon, as if we don’t have enough! Now we havta put up wid you?

CALEB

Ahh, you love it here! I mean, look at you Eli! You said you weren’t coming

back last year, but at the last minute you realized how much you missed us and

came running back, didn’t you?


ELI

(laughs)

Ah nah mi! Ya know I’d be home if I could!

CALEB

What happened with the business you were going to start?

ELI

Oh, dat be a long story. I’ll tell you about it latter.

CALEB

What's the matter with Rueben? Hey, Rueben! Aren’t you happy to see me?

REUBEN

(Hat music stops and Rueben snaps out of a dazed look.)

What...?

CALEB

Ah never mind, he must be back in Jamaica too! So let’s get to work. What does

the old man want you to do?

ELI

Ahhh, mi tink he say ta pick sum of dem apples. Dis is de apple orchard, ain’t it,

boy?

CALEB

Sheesh, I mean where did he tell you to start picking?


ELI

Wherever de apples are, mon!

(laughs heartily)

CALEB

I see you’re full of it today! I bet I can get them apples down off

those trees quicker than you can!

(Points to a group of apples in the tree.)

ELI

You offerin’ ta work? Dis I gotta see, mon!

(laughs again)

CALEB

Stand back and let me show you how a man gets this job done. Watch and be

amazed.

(Caleb picks up a couple apples from the ground and tosses an

apple at the tree and misses. Eli doubles over laughing)

ELI

Ya, that's some way o'showin' me how a man does the job, boy!

(beat)

Watch this! I’ll show you how it’s done…

(Tosses an apple and knocks some down. This can be acted out or use

props to actually make apples drop.)


CALEB

Ahhh, beginner’s luck! I was just getting warmed up!

(Eli and Caleb continue a friendly competition, while Jonah and Reuben

pick fruit Reuben picks somewhat nervously, occasionally looking up

from his job and shaking his head. Although Jonah is also shaking his

head at Eli and Caleb, he sometimes looks up and chuckles.)

FARMER FRED

(offstage)

WHAT THE HELL ARE YOU DOING!!!!

(Walks onto the stage)

CALEB

We’re just trying to have some fun, Dad...


FRED

DO I PAY YOU TO HAVE FUN? YOUR JUST DESTROYING THE FRUIT!

You know, I just put all that new stuff in the bunkhouse, even though we may end

up jobless next year, and here you are, my so-called helpers, destroying what

we’ve worked so hard for!

CALEB

Lighten up, Dad, it was just a joke...

FRED

I don’t give a damn! This isn't a joke, Caleb! This is our livelihood. You know

how hard running an orchard is! You, of all people!! I expect a whole lot more


from you than this! And YOU!

(points to Eli)

I didn’t have to take YOU back this year, on such a short notice, but I did! You

oughta be bustin’ your butt around here! For the next 4 months, I own you! And

when I say jump, you say how high, how fast, and say “Yes sir,” when you do it!

That is if you don’t want to get a one-way ticket back to Jamaica, where you

belong!!

ELI

YAH NAH OWN MI, FRED!

(Eli says “Farmer Fred” derisively).

AND YAH RIGHT! I DO BELONG IN JAMAICA, AN DAT’S WHERE I’LL

BE STAYIN’ NEXT YEAR!!

(Eli storms off stage. Fred starts after him, angry. Caleb stops his father by

stepping in front of him and putting up his arms)

CALEB

Dad! Stop!

FRED

(throws his hands up and back down while speaking)

Get out of my way!


CALEB

Dad...c’mon, have some respect.


FRED

(says sarcatically)

Respect? I’m docking his pay for today!

(beat)

Where's the respect I deserve? I'm not getting that from anyone around here

and what are you doing? Sticking up for them? Don't give me any of that

bleeding heart crap Caleb. You, of all people!

CALEB

What do you mean, me of all people? What's that supposed to mean?

FRED

I mean, forget about respecting the workers. You need to demand respect in order

to get it. That's what I'm talking about!

(intro to song starts)

You need to show the workers who's boss around here and how to get the job

done, unless you want to be picking all those apples yourself!! Hah! And I’d like

to see that! YOU know all the work that has to be done around here, and yet you

take precious time to GOOF off and destroy CROPS! You KNOW how hard I

have to work to grow these apples and to take care of this farm! This farm might

be yours someday, if you’d learn how to get the crops picked!!

(Breaks into “A Greater Burden”)


A GREATER BURDEN

(Farmer Fred Sings)

WHY DON'T YOU UNDERSTAND?

I WOULD GIVE YOU THE SUN AND MOON

EVEN THOUGH, I'M JUST ONE MAN

I WORK HARD FOR NO PAY, BUT I'M WORKING JUST FOR YOU

SWEAT AND TEARS PAY THE BILLS

WHEN THE MORTGAGE IS DUE

A GREATER BURDEN IS MINE

A GREATER BURDEN IS MINE

I PRUNE THE TREES, I PLANT THE SEEDS,

I MOW THE LAWN AND I PULL THE WEEDS

I FEED AND WATER THEN I WATCH THE CROPS GROW

AND PRAY EACH NIGHT WE REAP WHAT WE SOW

A GREATER BURDEN IS MINE

A GREATER BURDEN IS MINE

(BREAK, Fred picks up apples, shakes his head as he looks at them)

IN A FEW YEARS IT COULD ALL GO AWAY

OUR LAND AND THE LIFE THAT WE LEAD TODAY

I'M AFRAID FOR OUR FARMS AND I’M FURIOUS TOO

THE THINGS THAT I WORK SO HARD FOR
COULD BE TAKEN FROM YOU
A GREATER BURDEN IS MINE

A GREATER BURDEN IS MINE

A GREATER BURDEN IS MINE

OHHH….A GREATER BURDEN IS MINE SON

CALEB

I don't want to follow in your footsteps if it means yelling at everybody all the

time. And I don't care how you justify the way you act, I think you need to give

respect to get it.

(Caleb storms off stage. Jonah and Rueben are standing frozen, shocked,

staring at Fred. Fred turns and looks at them)

FRED
(speaks sarcastically)

Well, what are you doing? Standing there staring? Do you think that maybe we

could pick some apples SOMETIME TODAY!!??

(Rueben and Jonah start picking apples quickly and nervously. Somehow

Jonah’s bag comes undone, and he loses a bunch of apples to the ground.)

I CAN’T BELIEVE THIS! Why can’t I get competent help around here??!!

(Fred storms offstage in the opposite direction of Caleb. Rueben and

Jonah are alone as they continue to pick up apples onstage,

lighting dims. When the lighting dims, Jonah and Rueben exit stage. Eli

walks onto the stage alone from the other direction. Eli walks onto the

stage and over to a tree, he is obviously agitated, shaking his head.

He picks an apple and rubs it on his shirt as he sits under an old apple tree

with a rotten hole in the base. Out of the corner of his eye he sees

something in the hole of the tree.)

ELI
What is dis?

(He reaches in slowly and pulls out an old rusty tin and brushes off the

cobwebs, He shakes it, and he hears something in it! He then pries off the

lid. He looks in and he views some very old coins. He smiles a big grin.

Eli speaks in an excited tone of voice)

Ee-eee! Lot’s o’money! It look like ole money, mon!

Dere is silver and dere is gold! Dis would be jus what I need ta start mi bizz-ness

up again in Jamaica! Payback fe listenin’ ta Fred go on, dat’s what dis is! I could

lef dis place right now and start mi bizz-ness back home in Jamaica!

(Eli holds onto the tin of money and gets quite dramatic while

singing, holding the tin of money up over his head on the chorus line of

“UP UP”)


AINT NO TURNING BACK

(Eli Sings)

I AIN’T GOT NO FRIEND IN A HIGH SOCIETY

I GOTTA BUILD MY HOPES AND DREAM

JUST TO REACH MY DESTINY

CUZ WHAT IS TO BE MUST BE

IN A DIS HERE REVOLUTIONARY

I GOT TO DO WHAT A MAN GOT TO DO

TO REACH MY OWN DESTINY

IN A DIS HERE REVOLUTIONARY

UP UP WE GOT DE CITY LUCK

I NO WE CRUMBLE

AIN’T NO TURNING BACK

WE COMIN UP UP WE GOT DE CITY LUCK

I NO WE CRUMBLE

AIN’T NO TURNING BACK

WHEN I LOOK AROUND IN THE WORLD TODAY

I SEE DE FRUSTRATION OF SO MANY PEOPLE

TO VOICE DERE OPINION

IT HAVTA CAUSE A DEMONSTRATION

NOBODY WANT TO TAKE DE BLAME

AND IT’S A TRUE REALISTIC SHAME

SO AS DE KING MARTIN LUTHER WOULD SAY

I HAVE A DREAM UNTIL DIS DAY YEAH

UP UP WE GOT DE CITY LUCK

I NO WE CRUMBLE

AIN’T NO TURNING BACK

WE COMIN UP UP WE GOT DE CITY LUCK

I NO WE CRUMBLE

AIN’T NO TURNING BACK

SOMETIMES WHEN I SIT DOWN

I JUST CAN’T SETTLE DOWN

MY MIND IS SO CONFUSED

I DON’T KNOW WHAT TO DO

MY HOPES IS ALMOST GONE

I STILL MUST CARRY ON

I GOT TO DO WHAT I GOT TO DO

IN A DIS SOCIETY

I GOT TO STAND UP FOR OUR RIGHTS

I GOT TO STAND UP FOR SOME RIGHTS

UP UP WE GOT DE CITY LUCK

I NO WE CRUMBLE

AIN’T NO TURNING BACK

WE COMIN UP UP WE GOT DE CITY LUCK

I NO WE CRUMBLE

AIN’T NO TURNING BACK

I AIN’T GOT NO FRIEND IN A HIGH SOCIETY

I GOT BUILD MY HOPES AND DREAM

JUST TO REACH MY DESTINY

CUZ WHAT IS TO BE MUST BE

IN A DIS HERE REVOLUTIONARY

I GOT TO DO WHAT A MAN GOT TO DO

TO REACH MY OWN DESTINY

IN A DIS HERE REVOLUTIONARY

(Eli walks back over to the tree and sits down beside it holding the tin)

But what if Fred put dis here? If I take it now, there will too much time for Fred to

notice it gone. If l leave now he'll get suspicious and know who took it. Maybe I

better stick around ta de end o’de season and see if it's still dere? Then I can take

it wid mi when I go.

(Eli looks into the open tin)

I’ll see you later, my friend, when it's time to be leavin’.

(He closes it, looks around to make sure no one is looking, puts it back

where he found it, and covers the hole over with some leaves. He stares at

the spot where it lies until the music ends lights fade just before the music

ends. Some intense drum beats during scene change.)

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